In the white and bright De Padova’s showroom, Campo d’Oro, Paolo Pallucco’s table, takes shape as a light and luminous piece, abstract in its neat and clean forms.
It’s the first time that this designer collaborates with the company.
“I have always dealt with art, or let’s say, I have always attended clandestinely the faint borderline between art and function”, states Pallucco, who, thanks to the total white chromatic choice for the table, has perfectly interpreted the identity of De Padova’s collection.
Pallucco has designed an extremely elegant table, finely proportioned in its forms and, at the same time, very particular.
It’s a clever work of “functional transformism”: when the table is closed, it has a squared shape but, thanks to two side hinges, it can assume different combinations just moving the three trapezoidal elements that compose the top.
Freedom and flexibility in the way of living our spaces: it’s a table becoming always different, to be used sometimes for lunch, sometimes to work or study, for a family meal or as a desk for one, two ore three people at the same time.
Contemporary houses are always changing and adapting themselves to the needs and the demands of the people who live in.
Campo d’Oro knocks down frontiers; it can be interpreted by its users, it can be perfectly put in a house conceived as a fluid and independent space.
Everything has been followed carefully: the smart play of a dynamic design it’s based on harmonic proportions among the trapezoidal parts that compose the top and which respect the golden section’s principles.
Campo d’Oro, “golden section’s derived top”.
Study, art, research on aesthetics and forms are at the base of this project.